Noise Morphing for Audio Time Stretching

This letter introduces an innovative method to enhance the quality of audio time stretching by precisely decomposing a sound into sines, transients, and noise and by improving the processing of the latter component. While there are established methods for time-stretching sines and transients with high quality, the manipulation of noise or residual components has lacked robust solutions in prior research. The proposed method combines sound decomposition with previous techniques for audio spectral resynthesis. The time-stretched noise component is achieved by morphing its time-interpolated spectral magnitude with a white-noise excitation signal. This method stands out for its simplicity, efficiency, and audio quality. The results of a subjective experiment affirm the superiority of this approach over current state-of-the-art methods across all evaluated stretch factors. The proposed technique notably excels in extreme stretching scenarios, signifying a substantial elevation in performance. The proposed method holds promise for a wide range of applications in slow-motion media content, such as music or sports video production.

Neural modeling of magnetic tape recorders

The sound of magnetic recording media, such as open-reel and cassette tape recorders, is still sought after by today's sound practitioners due to the imperfections embedded in the physics of the magnetic recording process. This paper proposes a method for digitally emulating this character using neural networks. The signal chain of the proposed system consists of three main components: the hysteretic nonlinearity and filtering jointly produced by the magnetic recording process as well as the record and playback amplifiers, the fluctuating delay originating from the tape transport, and the combined additive noise component from various electromagnetic origins. In our approach, the hysteretic nonlinear block is modeled using a recurrent neural network, while the delay trajectories and the noise component are generated using separate diffusion models, which employ U-net deep convolutional neural networks. According to the conducted objective evaluation, the proposed architecture faithfully captures the character of the magnetic tape recorder. The results of this study can be used to construct virtual replicas of vintage sound recording devices with applications in music production and audio antiquing tasks.

Extreme Audio Time Stretching Using Neural Synthesis

A deep neural network solution for time-scale modification (TSM) focused on large stretching factors is proposed, targeting environmental sounds. Traditional TSM artifacts such as transient smearing, loss of presence, and phasiness are heavily accentuated and cause poor audio quality when the TSM factor is four or larger. The weakness of established TSM methods, often based on a phase vocoder structure, lies in the poor description and scaling of the transient and noise components, or nuances, of a sound. Our novel solution combines a sines-transients-noise decomposition with an independent WaveNet synthesizer to provide a better description of the noise component and an improve sound quality for large stretching factors. Results of a subjective listening test against four other TSM algorithms are reported, showing the proposed method to be often superior. The proposed method is stereo compatible and has a wide range of applications related to the slow motion of media content.

Adversarial Guitar Amplifier Modelling With Unpaired Data

We propose an audio effects processing framework that learns to emulate a target electric guitar tone from a recording. We train a deep neural network using an adversarial approach, with the goal of transforming the timbre of a guitar, into the timbre of another guitar after audio effects processing has been applied, for example, by a guitar amplifier. The model training requires no paired data, and the resulting model emulates the target timbre well whilst being capable of real-time processing on a modern personal computer. To verify our approach we present two experiments, one which carries out unpaired training using paired data, allowing us to monitor training via objective metrics, and another that uses fully unpaired data, corresponding to a realistic scenario where a user wants to emulate a guitar timbre only using audio data from a recording. Our listening test results confirm that the models are perceptually convincing.

Virtual Analog Modeling of Distortion Circuits Using Neural Ordinary Differential Equations

Recent research in deep learning has shown that neural networks can learn differential equations governing dynamical systems. In this paper, we adapt this concept to Virtual Analog (VA) modeling to learn the ordinary differential equations (ODEs) governing the first-order and the second-order diode clipper. The proposed models achieve performance comparable to state-of-the-art recurrent neural networks (RNNs) albeit using fewer parameters. We show that this approach does not require oversampling and allows to increase the sampling rate after the training has completed, which results in increased accuracy. Using a sophisticated numerical solver allows to increase the accuracy at the cost of slower processing. ODEs learned this way do not require closed forms but are still physically interpretable.