Abstract:Narration is central to the audiobook listening experience, shaping how listeners engage with and understand the content. This work explores how narration qualities shape an audiobook's appeal, noting that their effects can vary by genre, title, and audience. We extract vocal and acoustic features (e.g., tone, pace, loudness) from LibriVox using pre-trained audio models and analyse their relationship with consumption data (specifically, view-rate) and their interplay with genre and title. Despite limited consumption data, we find that acoustic information alone has a robust association with appeal, even after accounting for title effects. We further validate these findings using more nuanced proprietary engagement metrics. To our knowledge, this is the first systematic computational study linking narration qualities, genre, title, and audiobook consumption, highlighting the potential of data-driven insights to improve audiobook personalisation and narrator casting.




Abstract:Distinguishing scripted from spontaneous speech is an essential tool for better understanding how speech styles influence speech processing research. It can also improve recommendation systems and discovery experiences for media users through better segmentation of large recorded speech catalogues. This paper addresses the challenge of building a classifier that generalises well across different formats and languages. We systematically evaluate models ranging from traditional, handcrafted acoustic and prosodic features to advanced audio transformers, utilising a large, multilingual proprietary podcast dataset for training and validation. We break down the performance of each model across 11 language groups to evaluate cross-lingual biases. Our experimental analysis extends to publicly available datasets to assess the models' generalisability to non-podcast domains. Our results indicate that transformer-based models consistently outperform traditional feature-based techniques, achieving state-of-the-art performance in distinguishing between scripted and spontaneous speech across various languages.