TinyDETR-Pose: Towards End-to-End Real-Time Single-Stage 6DoF Object Pose Estimation with Lightweight Transformers

Real-time 6DoF object pose estimation on resource-constrained hardware remains challenging, as accurate correspondence-based and refinement pipelines typically rely on non-differentiable PnP/RANSAC stages or costly iterative refinement, while recent foundation-model-based approaches incur inference costs that are prohibitive for edge deployment. We present TinyDETR-Pose, a lightweight, end-to-end, single-stage framework that jointly detects objects and regresses their full 6D pose in a single forward pass. Built on the efficient LW-DETR architecture, TinyDETR-Pose formulates detection and pose estimation as a set-prediction problem and attaches dedicated MLP heads for rotation, monocular depth, and projected object center regression to each decoder query, eliminating the need for PnP, NMS (non-maximum suppression), or iterative pose refinement. Object symmetries are handled through a ADD-S loss applied uniformly to all objects, without the need for object-specific loss schedules or separate geodesic/ADD supervision. In addition, predictions are assigned to ground truth using a symmetry-safe Hungarian matcher based on class and 2D spatial cues, yielding stable assignment under symmetry and depth ambiguity. On YCB-V, TinyDETR-Pose achieves a comparable ADD-S AUC of 85.9, while requiring up to 72.7% fewer parameters than other DETR-based single-stage pose-estimation approaches. Due to its compact design, TinyDETR-Pose runs in real time and achieves an inference latency of only ~4.5 ms per frame on an NVIDIA Jetson Nano using TensorRT, demonstrating that accurate end-to-end transformer-based 6D pose estimation can be made practical for edge deployment.

A Human-in-the-Loop Deep Learning Framework for Color Reconstruction of Lenticular Films

Historical lenticular films, such as those created with the Kodacolor process, encode color information in a distinctive spatial format. This structure requires specialized techniques for accurate color reconstruction. While recent signal processing approaches like doLCE and deep learning methods like deep-doLCE have advanced automated color recovery, they often fail with cases such as curved lenticules, low-contrast, or badly captured regions. We propose a human-in-the-loop (HITL) deep learning framework which is designed for color reconstruction in lenticular films. Our approach introduces an editable, vector-based representation of lenticule boundaries, allowing experts to interactively refine boundary positions before color extraction and demosaicing. This decoupled architecture enables targeted corrections and iterative fine-tuning, embedding expert knowledge into the detection model and improving robustness across challenging frames. To preserve image details using information solely present in the original silver emulsion, we merge the reconstructed chrominance with the original film scan's luminance. We evaluate our pipeline on a challenging lenticular film sequence where previous automated approaches fail and the reconstructed colors are not suitable for exhibition. In contrast, our HITL approach successfully produces high-quality, exhibitable color reconstructions with preserved texture. This work is the first to combine expert guidance, editable intermediate representations, and texture-preserving post-processing for lenticular film color reconstruction, advancing the state of the art in this field.

ScratchSim: A Procedural Synthetic Data Pipeline for Surface Scratch Detection

While automated defect detection such as the detection of surface scratched is an important aspect in industrial quality control, the scarcity of annotated defect data make this task challenging. This paper presents a procedural rendering pipeline that generates large-scale annotated synthetic training data using BlenderProc, with configurable material appearance, camera modes, and domain randomization, producing automatic COCO-format annotations. To show the potential of our approach, we evaluate four training strategies, namely synthetic-only, real-only, mixed, and fine-tuning from synthetic weights, across two objects with different material properties and three lightweight edge-deployable detectors, YOLOX, YOLO26, and LW-DETR. Our evaluation show that fine-tuning from synthetic weights consistently outperforms real-only training, and that mixed training effectively recovers performance under scarce real-data conditions, with findings validated across both convolutional and transformer-based architectures. The proposed approach enables scalable defect detection without the burden of large real annotated datasets, making it practical for on-device industrial inspection. The pipeline scripts, 3D model, and both synthetic and real annotated scratch datasets for a glossy toy Ferrari car will be made available through the project website upon acceptance.

Human-in-the-Loop Atlas-Based 3D Asset Segmentation for Interactive Content Workflows

Segmenting 3D assets into meaningful regions remains challenging, especially when segmentation criteria are application-dependent and require user control. We present a human-in-the-loop pipeline for generating a segmented 2D parameterized atlas from a 3D model for interactive media, game, and XR content workflows. Our method first selects a compact set of rendered views using a greedy set cover strategy over sampled surface points, and then supports interactive segmentation of these views with SAM~2 and Label Studio. The resulting masks are back-projected onto the model's UV parameterization to produce a unified segmented atlas that supports downstream production tasks such as segment-wise material assignment, style transfer, and semantic labeling. We assess the pipeline through a demonstration-based technical evaluation on eight cultural heritage objects. The results show that the approach can generate usable segmented atlases across diverse geometries while revealing recurring sources of manual correction, particularly fine structures, cavities, and weak appearance boundaries.

6D Strawberry Pose Estimation: Real-time and Edge AI Solutions Using Purely Synthetic Training Data

Automated and selective harvesting of fruits has become an important area of research, particularly due to challenges such as high costs and a shortage of seasonal labor in advanced economies. This paper focuses on 6D pose estimation of strawberries using purely synthetic data generated through a procedural pipeline for photorealistic rendering. We employ the YOLOX-6D-Pose algorithm, a single-shot approach that leverages the YOLOX backbone, known for its balance between speed and accuracy, and its support for edge inference. To address the lacking availability of training data, we introduce a robust and flexible pipeline for generating synthetic strawberry data from various 3D models via a procedural Blender pipeline, where we focus on enhancing the realism of the synthesized data in comparison to previous work to make it a valuable resource for training pose estimation algorithms. Quantitative evaluations indicate that our models achieve comparable accuracy on both the NVIDIA RTX 3090 and Jetson Orin Nano across several ADD-S metrics, with the RTX 3090 demonstrating superior processing speed. However, the Jetson Orin Nano is particularly suited for resource-constrained environments, making it an excellent choice for deployment in agricultural robotics. Qualitative assessments further confirm the model's performance, demonstrating its capability to accurately infer the poses of ripe and partially ripe strawberries, while facing challenges in detecting unripe specimens. This suggests opportunities for future improvements, especially in enhancing detection capabilities for unripe strawberries (if desired) by exploring variations in color. Furthermore, the methodology presented could be adapted easily for other fruits such as apples, peaches, and plums, thereby expanding its applicability and impact in the field of agricultural automation.

RangeSAM: Leveraging Visual Foundation Models for Range-View repesented LiDAR segmentation

Point cloud segmentation is central to autonomous driving and 3D scene understanding. While voxel- and point-based methods dominate recent research due to their compatibility with deep architectures and ability to capture fine-grained geometry, they often incur high computational cost, irregular memory access, and limited real-time efficiency. In contrast, range-view methods, though relatively underexplored - can leverage mature 2D semantic segmentation techniques for fast and accurate predictions. Motivated by the rapid progress in Visual Foundation Models (VFMs) for captioning, zero-shot recognition, and multimodal tasks, we investigate whether SAM2, the current state-of-the-art VFM for segmentation tasks, can serve as a strong backbone for LiDAR point cloud segmentation in the range view. We present , to our knowledge, the first range-view framework that adapts SAM2 to 3D segmentation, coupling efficient 2D feature extraction with standard projection/back-projection to operate on point clouds. To optimize SAM2 for range-view representations, we implement several architectural modifications to the encoder: (1) a novel module that emphasizes horizontal spatial dependencies inherent in LiDAR range images, (2) a customized configuration of tailored to the geometric properties of spherical projections, and (3) an adapted mechanism in the encoder backbone specifically designed to capture the unique spatial patterns and discontinuities present in range-view pseudo-images. Our approach achieves competitive performance on SemanticKITTI while benefiting from the speed, scalability, and deployment simplicity of 2D-centric pipelines. This work highlights the viability of VFMs as general-purpose backbones for 3D perception and opens a path toward unified, foundation-model-driven LiDAR segmentation. Results lets us conclude that range-view segmentation methods using VFMs leads to promising results.

Neural Restoration of Greening Defects in Historical Autochrome Photographs Based on Purely Synthetic Data

The preservation of early visual arts, particularly color photographs, is challenged by deterioration caused by aging and improper storage, leading to issues like blurring, scratches, color bleeding, and fading defects. In this paper, we present the first approach for the automatic removal of greening color defects in digitized autochrome photographs. Our main contributions include a method based on synthetic dataset generation and the use of generative AI with a carefully designed loss function for the restoration of visual arts. To address the lack of suitable training datasets for analyzing greening defects in damaged autochromes, we introduce a novel approach for accurately simulating such defects in synthetic data. We also propose a modified weighted loss function for the ChaIR method to account for color imbalances between defected and non-defected areas. While existing methods struggle with accurately reproducing original colors and may require significant manual effort, our method allows for efficient restoration with reduced time requirements.

SpectralGaussians: Semantic, spectral 3D Gaussian splatting for multi-spectral scene representation, visualization and analysis

We propose a novel cross-spectral rendering framework based on 3D Gaussian Splatting (3DGS) that generates realistic and semantically meaningful splats from registered multi-view spectrum and segmentation maps. This extension enhances the representation of scenes with multiple spectra, providing insights into the underlying materials and segmentation. We introduce an improved physically-based rendering approach for Gaussian splats, estimating reflectance and lights per spectra, thereby enhancing accuracy and realism. In a comprehensive quantitative and qualitative evaluation, we demonstrate the superior performance of our approach with respect to other recent learning-based spectral scene representation approaches (i.e., XNeRF and SpectralNeRF) as well as other non-spectral state-of-the-art learning-based approaches. Our work also demonstrates the potential of spectral scene understanding for precise scene editing techniques like style transfer, inpainting, and removal. Thereby, our contributions address challenges in multi-spectral scene representation, rendering, and editing, offering new possibilities for diverse applications.