FHSTP@EXIST 2025 Benchmark: Sexism Detection with Transparent Speech Concept Bottleneck Models

Sexism has become widespread on social media and in online conversation. To help address this issue, the fifth Sexism Identification in Social Networks (EXIST) challenge is initiated at CLEF 2025. Among this year's international benchmarks, we concentrate on solving the first task aiming to identify and classify sexism in social media textual posts. In this paper, we describe our solutions and report results for three subtasks: Subtask 1.1 - Sexism Identification in Tweets, Subtask 1.2 - Source Intention in Tweets, and Subtask 1.3 - Sexism Categorization in Tweets. We implement three models to address each subtask which constitute three individual runs: Speech Concept Bottleneck Model (SCBM), Speech Concept Bottleneck Model with Transformer (SCBMT), and a fine-tuned XLM-RoBERTa transformer model. SCBM uses descriptive adjectives as human-interpretable bottleneck concepts. SCBM leverages large language models (LLMs) to encode input texts into a human-interpretable representation of adjectives, then used to train a lightweight classifier for downstream tasks. SCBMT extends SCBM by fusing adjective-based representation with contextual embeddings from transformers to balance interpretability and classification performance. Beyond competitive results, these two models offer fine-grained explanations at both instance (local) and class (global) levels. We also investigate how additional metadata, e.g., annotators' demographic profiles, can be leveraged. For Subtask 1.1, XLM-RoBERTa, fine-tuned on provided data augmented with prior datasets, ranks 6th for English and Spanish and 4th for English in the Soft-Soft evaluation. Our SCBMT achieves 7th for English and Spanish and 6th for Spanish.

Analysis of Hybrid Compositions in Animation Film with Weakly Supervised Learning

We present an approach for the analysis of hybrid visual compositions in animation in the domain of ephemeral film. We combine ideas from semi-supervised and weakly supervised learning to train a model that can segment hybrid compositions without requiring pre-labeled segmentation masks. We evaluate our approach on a set of ephemeral films from 13 film archives. Results demonstrate that the proposed learning strategy yields a performance close to a fully supervised baseline. On a qualitative level the performed analysis provides interesting insights on hybrid compositions in animation film.