Enabling Acoustic Audience Feedback in Large Virtual Events

The COVID-19 pandemic shifted many events in our daily lives into the virtual domain. While virtual conference systems provide an alternative to physical meetings, larger events require a muted audience to avoid an accumulation of background noise and distorted audio. However, performing artists strongly rely on the feedback of their audience. We propose a concept for a virtual audience framework which supports all participants with the ambience of a real audience. Audience feedback is collected locally, allowing users to express enthusiasm or discontent by selecting means such as clapping, whistling, booing, and laughter. This feedback is sent as abstract information to a virtual audience server. We broadcast the combined virtual audience feedback information to all participants, which can be synthesized as a single acoustic feedback by the client. The synthesis can be done by turning the collective audience feedback into a prompt that is fed to state-of-the-art models such as AudioGen. This way, each user hears a single acoustic feedback sound of the entire virtual event, without requiring to unmute or risk hearing distorted, unsynchronized feedback.

Evaluation of Video Coding for Machines without Ground Truth

In the emerging field of video coding for machines, video datasets with pristine video quality and high-quality annotations are required for a comprehensive evaluation. However, existing video datasets with detailed annotations are severely limited in size and video quality. Thus, current methods have to either evaluate their codecs on still images or on already compressed data. To mitigate this problem, we propose an evaluation method based on pseudo ground-truth data from the field of semantic segmentation to the evaluation of video coding for machines. Through extensive evaluation, this paper shows that the proposed ground-truth-agnostic evaluation method results in an acceptable absolute measurement error below 0.7 percentage points on the Bjontegaard Delta Rate compared to using the true ground truth for mid-range bitrates. We evaluate on the three tasks of semantic segmentation, instance segmentation, and object detection. Lastly, we utilize the ground-truth-agnostic method to measure the coding performances of the VVC compared against HEVC on the Cityscapes sequences. This reveals that the coding position has a significant influence on the task performance.