From West to East: Who can understand the music of the others better?

Recent developments in MIR have led to several benchmark deep learning models whose embeddings can be used for a variety of downstream tasks. At the same time, the vast majority of these models have been trained on Western pop/rock music and related styles. This leads to research questions on whether these models can be used to learn representations for different music cultures and styles, or whether we can build similar music audio embedding models trained on data from different cultures or styles. To that end, we leverage transfer learning methods to derive insights about the similarities between the different music cultures to which the data belongs to. We use two Western music datasets, two traditional/folk datasets coming from eastern Mediterranean cultures, and two datasets belonging to Indian art music. Three deep audio embedding models are trained and transferred across domains, including two CNN-based and a Transformer-based architecture, to perform auto-tagging for each target domain dataset. Experimental results show that competitive performance is achieved in all domains via transfer learning, while the best source dataset varies for each music culture. The implementation and the trained models are both provided in a public repository.

Self-Attention Based Generative Adversarial Networks For Unsupervised Video Summarization

In this paper, we study the problem of producing a comprehensive video summary following an unsupervised approach that relies on adversarial learning. We build on a popular method where a Generative Adversarial Network (GAN) is trained to create representative summaries, indistinguishable from the originals. The introduction of the attention mechanism into the architecture for the selection, encoding and decoding of video frames, shows the efficacy of self-attention and transformer in modeling temporal relationships for video summarization. We propose the SUM-GAN-AED model that uses a self-attention mechanism for frame selection, combined with LSTMs for encoding and decoding. We evaluate the performance of the SUM-GAN-AED model on the SumMe, TVSum and COGNIMUSE datasets. Experimental results indicate that using a self-attention mechanism as the frame selection mechanism outperforms the state-of-the-art on SumMe and leads to comparable to state-of-the-art performance on TVSum and COGNIMUSE.

A Dataset for Greek Traditional and Folk Music: Lyra

Studying under-represented music traditions under the MIR scope is crucial, not only for developing novel analysis tools, but also for unveiling musical functions that might prove useful in studying world musics. This paper presents a dataset for Greek Traditional and Folk music that includes 1570 pieces, summing in around 80 hours of data. The dataset incorporates YouTube timestamped links for retrieving audio and video, along with rich metadata information with regards to instrumentation, geography and genre, among others. The content has been collected from a Greek documentary series that is available online, where academics present music traditions of Greece with live music and dance performance during the show, along with discussions about social, cultural and musicological aspects of the presented music. Therefore, this procedure has resulted in a significant wealth of descriptions regarding a variety of aspects, such as musical genre, places of origin and musical instruments. In addition, the audio recordings were performed under strict production-level specifications, in terms of recording equipment, leading to very clean and homogeneous audio content. In this work, apart from presenting the dataset in detail, we propose a baseline deep-learning classification approach to recognize the involved musicological attributes. The dataset, the baseline classification methods and the models are provided in public repositories. Future directions for further refining the dataset are also discussed.