Masked Autoencoders with Limited Data: Does It Work? A Fine-Grained Bioacoustics Case Study

Bioacoustic recognition requires fine-grained acoustic understanding to distinguish similar-sounding species. However, many large-scale data repositories such as iNaturalist are weakly annotated, often with only a single positive species label per recording, making supervised learning particularly challenging. Inspired by advances in computer vision, recent approaches have shifted toward self-supervised learning to capture the underlying structure of audio without relying on exhaustive annotations. In particular, masked autoencoders (MAE) have shown strong transferability on massive audio corpora, yet their effectiveness in more modest bioacoustic settings remains underexplored. In this work, we conduct a systematic study of MAE pretraining for species classification on iNatSounds, analyzing the impacts of pretraining data scale, domain specificity, data curation, and transfer strategies. Consistent with prior work, we find that models pretrained on diverse general audio data achieve the best transfer performance on iNatSounds. Contrary to observations from large-scale audio benchmarks, we find that (1) additional masked reconstruction pretraining on domain-specific data provides limited benefits and may even degrade performance relative to off-the-shelf models, and (2) selective data filtering offers a negligible advantage when the overall data scale is limited. Our results indicate that, in moderate-sized fine-grained bioacoustic settings, pretraining scale dominates objective design. These findings further clarify when MAE-based pretraining is effective and provide practical guidance for model selection under limited supervision.

RealBirdID: Benchmarking Bird Species Identification in the Era of MLLMs

Fine-grained bird species identification in the wild is frequently unanswerable from a single image: key cues may be non-visual (e.g. vocalization), or obscured due to occlusion, camera angle, or low resolution. Yet today's multimodal systems are typically judged on answerable, in-schema cases, encouraging confident guesses rather than principled abstention. We propose the RealBirdID benchmark: given an image of a bird, a system should either answer with a species or abstain with a concrete, evidence-based rationale: "requires vocalization," "low quality image," or "view obstructed". For each genus, the dataset includes a validation split composed of curated unanswerable examples with labeled rationales, paired with a companion set of clearly answerable instances. We find that (1) the species identification on the answerable set is challenging for a variety of open-source and proprietary models (less than 13% accuracy for MLLMs including GPT-5 and Gemini-2.5 Pro), (2) models with greater classification ability are not necessarily more calibrated to abstain from unanswerable examples, and (3) that MLLMs generally fail at providing correct reasons even when they do abstain. RealBirdID establishes a focused target for abstention-aware fine-grained recognition and a recipe for measuring progress.

Audio Geolocation: A Natural Sounds Benchmark

Can we determine someone's geographic location purely from the sounds they hear? Are acoustic signals enough to localize within a country, state, or even city? We tackle the challenge of global-scale audio geolocation, formalize the problem, and conduct an in-depth analysis with wildlife audio from the iNatSounds dataset. Adopting a vision-inspired approach, we convert audio recordings to spectrograms and benchmark existing image geolocation techniques. We hypothesize that species vocalizations offer strong geolocation cues due to their defined geographic ranges and propose an approach that integrates species range prediction with retrieval-based geolocation. We further evaluate whether geolocation improves when analyzing species-rich recordings or when aggregating across spatiotemporal neighborhoods. Finally, we introduce case studies from movies to explore multimodal geolocation using both audio and visual content. Our work highlights the advantages of integrating audio and visual cues, and sets the stage for future research in audio geolocation.