AI-generated stories favour stability over change: homogeneity and cultural stereotyping in narratives generated by gpt-4o-mini

Can a language model trained largely on Anglo-American texts generate stories that are culturally relevant to other nationalities? To find out, we generated 11,800 stories - 50 for each of 236 countries - by sending the prompt "Write a 1500 word potential {demonym} story" to OpenAI's model gpt-4o-mini. Although the stories do include surface-level national symbols and themes, they overwhelmingly conform to a single narrative plot structure across countries: a protagonist lives in or returns home to a small town and resolves a minor conflict by reconnecting with tradition and organising community events. Real-world conflicts are sanitised, romance is almost absent, and narrative tension is downplayed in favour of nostalgia and reconciliation. The result is a narrative homogenisation: an AI-generated synthetic imaginary that prioritises stability above change and tradition above growth. We argue that the structural homogeneity of AI-generated narratives constitutes a distinct form of AI bias, a narrative standardisation that should be acknowledged alongside the more familiar representational bias. These findings are relevant to literary studies, narratology, critical AI studies, NLP research, and efforts to improve the cultural alignment of generative AI.

Algorithmic failure as a humanities methodology: machine learning's mispredictions identify rich cases for qualitative analysis

This commentary tests a methodology proposed by Munk et al. (2022) for using failed predictions in machine learning as a method to identify ambiguous and rich cases for qualitative analysis. Using a dataset describing actions performed by fictional characters interacting with machine vision technologies in 500 artworks, movies, novels and videogames, I trained a simple machine learning algorithm (using the kNN algorithm in R) to predict whether or not an action was active or passive using only information about the fictional characters. Predictable actions were generally unemotional and unambiguous activities where machine vision technologies were treated as simple tools. Unpredictable actions, that is, actions that the algorithm could not correctly predict, were more ambivalent and emotionally loaded, with more complex power relationships between characters and technologies. The results thus support Munk et al.'s theory that failed predictions can be productively used to identify rich cases for qualitative analysis. This test goes beyond simply replicating Munk et al.'s results by demonstrating that the method can be applied to a broader humanities domain, and that it does not require complex neural networks but can also work with a simpler machine learning algorithm. Further research is needed to develop an understanding of what kinds of data the method is useful for and which kinds of machine learning are most generative. To support this, the R code required to produce the results is included so the test can be replicated. The code can also be reused or adapted to test the method on other datasets.

AIwriting: Relations Between Image Generation and Digital Writing

During 2022, both transformer-based AI text generation sys-tems such as GPT-3 and AI text-to-image generation systems such as DALL-E 2 and Stable Diffusion made exponential leaps forward and are unquestionably altering the fields of digital art and electronic literature. In this panel a group of electronic literature authors and theorists consider new oppor-tunities for human creativity presented by these systems and present new works have produced during the past year that specifically address these systems as environments for literary expressions that are translated through iterative interlocutive processes into visual representations. The premise that binds these presentations is that these systems and the works gener-ated must be considered from a literary perspective, as they originate in human writing. In works ranging from a visual memoir of the personal experience of a health crisis, to interac-tive web comics, to architectures based on abstract poetic language, to political satire, four artists explore the capabili-ties of these writing environments for new genres of literary artist practice, while a digital culture theorist considers the origins and effects of the particular training datasets of human language and images on which these new hybrid forms are based.