Deep neural networks have a good success record and are thus viewed as the best architecture choice for complex applications. Their main shortcoming has been, for a long time, the vanishing gradient which prevented the numerical optimization algorithms from acceptable convergence. A breakthrough has been achieved by the concept of residual connections -- an identity mapping parallel to a conventional layer. This concept is applicable to stacks of layers of the same dimension and substantially alleviates the vanishing gradient problem. A stack of residual connection layers can be expressed as an expansion of terms similar to the Taylor expansion. This expansion suggests the possibility of truncating the higher-order terms and receiving an architecture consisting of a single broad layer composed of all initially stacked layers in parallel. In other words, a sequential deep architecture is substituted by a parallel shallow one. Prompted by this theory, we investigated the performance capabilities of the parallel architecture in comparison to the sequential one. The computer vision datasets MNIST and CIFAR10 were used to train both architectures for a total of 6912 combinations of varying numbers of convolutional layers, numbers of filters, kernel sizes, and other meta parameters. Our findings demonstrate a surprising equivalence between the deep (sequential) and shallow (parallel) architectures. Both layouts produced similar results in terms of training and validation set loss. This discovery implies that a wide, shallow architecture can potentially replace a deep network without sacrificing performance. Such substitution has the potential to simplify network architectures, improve optimization efficiency, and accelerate the training process.
Determining an appropriate number of attention heads on one hand and the number of transformer-encoders, on the other hand, is an important choice for Computer Vision (CV) tasks using the Transformer architecture. Computing experiments confirmed the expectation that the total number of parameters has to satisfy the condition of overdetermination (i.e., number of constraints significantly exceeding the number of parameters). Then, good generalization performance can be expected. This sets the boundaries within which the number of heads and the number of transformers can be chosen. If the role of context in images to be classified can be assumed to be small, it is favorable to use multiple transformers with a low number of heads (such as one or two). In classifying objects whose class may heavily depend on the context within the image (i.e., the meaning of a patch being dependent on other patches), the number of heads is equally important as that of transformers.
The commitment to single-precision floating-point arithmetic is widespread in the deep learning community. To evaluate whether this commitment is justified, the influence of computing precision (single and double precision) on the optimization performance of the Conjugate Gradient (CG) method (a second-order optimization algorithm) and RMSprop (a first-order algorithm) has been investigated. Tests of neural networks with one to five fully connected hidden layers and moderate or strong nonlinearity with up to 4 million network parameters have been optimized for Mean Square Error (MSE). The training tasks have been set up so that their MSE minimum was known to be zero. Computing experiments have disclosed that single-precision can keep up (with superlinear convergence) with double-precision as long as line search finds an improvement. First-order methods such as RMSprop do not benefit from double precision. However, for moderately nonlinear tasks, CG is clearly superior. For strongly nonlinear tasks, both algorithm classes find only solutions fairly poor in terms of mean square error as related to the output variance. CG with double floating-point precision is superior whenever the solutions have the potential to be useful for the application goal.
In the last years, image classification processes like neural networks in the area of art-history and Heritage Informatics have experienced a broad distribution (Lang and Ommer 2018). These methods face several challenges, including the handling of comparatively small amounts of data as well as high-dimensional data in the Digital Humanities. Here, a Convolutional Neural Network (CNN) is used that output is not, as usual, a series of flat text labels but a series of semantically loaded vectors. These vectors result from a Distributional Semantic Model (DSM) which is generated from an in-domain text corpus. ----- In den letzten Jahren hat die Verwendung von Bildklassifizierungsverfahren wie neuronalen Netzwerken auch im Bereich der historischen Bildwissenschaften und der Heritage Informatics weite Verbreitung gefunden (Lang und Ommer 2018). Diese Verfahren stehen dabei vor einer Reihe von Herausforderungen, darunter dem Umgangmit den vergleichsweise kleinen Datenmengen sowie zugleich hochdimensionalen Da-tenr\"aumen in den digitalen Geisteswissenschaften. Meist bilden diese Methoden dieKlassifizierung auf einen vergleichsweise flachen Raum ab. Dieser flache Zugang verliert im Bem\"uhen um ontologische Eindeutigkeit eine Reihe von relevanten Dimensionen, darunter taxonomische, mereologische und assoziative Beziehungen zwischenden Klassen beziehungsweise dem nicht formalisierten Kontext. Dabei wird ein Convolutional Neural Network (CNN) genutzt, dessen Ausgabe im Trainingsprozess, anders als herk\"ommlich, nicht auf einer Serie flacher Textlabel beruht, sondern auf einer Serie von Vektoren. Diese Vektoren resultieren aus einem Distributional Semantic Model (DSM), welches aus einem Dom\"ane-Textkorpus generiert wird.
There is some theoretical evidence that deep neural networks with multiple hidden layers have a potential for more efficient representation of multidimensional mappings than shallow networks with a single hidden layer. The question is whether it is possible to exploit this theoretical advantage for finding such representations with help of numerical training methods. Tests using prototypical problems with a known mean square minimum did not confirm this hypothesis. Minima found with the help of deep networks have always been worse than those found using shallow networks. This does not directly contradict the theoretical findings---it is possible that the superior representational capacity of deep networks is genuine while finding the mean square minimum of such deep networks is a substantially harder problem than with shallow ones.
Singular Value Decomposition (SVD) constitutes a bridge between the linear algebra concepts and multi-layer neural networks---it is their linear analogy. Besides of this insight, it can be used as a good initial guess for the network parameters, leading to substantially better optimization results.
In this paper, we report on our efforts for using Deep Learning for classifying artifacts and their features in digital visuals as a part of the Neoclassica framework. It was conceived to provide scholars with new methods for analyzing and classifying artifacts and aesthetic forms from the era of Classicism. The framework accommodates both traditional knowledge representation as a formal ontology and data-driven knowledge discovery, where cultural patterns will be identified by means of algorithms in statistical analysis and machine learning. We created a Deep Learning approach trained on photographs to classify the objects inside these photographs. In a next step, we will apply a different Deep Learning approach. It is capable of locating multiple objects inside an image and classifying them with a high accuracy.
In this demo paper, we present a text simplification approach that is directed at improving the performance of state-of-the-art Open Relation Extraction (RE) systems. As syntactically complex sentences often pose a challenge for current Open RE approaches, we have developed a simplification framework that performs a pre-processing step by taking a single sentence as input and using a set of syntactic-based transformation rules to create a textual input that is easier to process for subsequently applied Open RE systems.
This short paper outlines research results on object classification in images of Neoclassical furniture. The motivation was to provide an object recognition framework which is able to support the alignment of furniture images with a symbolic level model. A data-driven bottom-up research routine in the Neoclassica research framework is the main use-case. It strives to deliver tools for analyzing the spread of aesthetic forms which are considered as a cultural transfer process.