Streaming Machine Translation (MT) is the task of translating an unbounded input text stream in real-time. The traditional cascade approach, which combines an Automatic Speech Recognition (ASR) and an MT system, relies on an intermediate segmentation step which splits the transcription stream into sentence-like units. However, the incorporation of a hard segmentation constrains the MT system and is a source of errors. This paper proposes a Segmentation-Free framework that enables the model to translate an unsegmented source stream by delaying the segmentation decision until the translation has been generated. Extensive experiments show how the proposed Segmentation-Free framework has better quality-latency trade-off than competing approaches that use an independent segmentation model. Software, data and models will be released upon paper acceptance.
Speech-to-speech translation is a typical sequence-to-sequence learning task that naturally has two directions. How to effectively leverage bidirectional supervision signals to produce high-fidelity audio for both directions? Existing approaches either train two separate models or a multitask-learned model with low efficiency and inferior performance. In this paper, we propose a duplex diffusion model that applies diffusion probabilistic models to both sides of a reversible duplex Conformer, so that either end can simultaneously input and output a distinct language's speech. Our model enables reversible speech translation by simply flipping the input and output ends. Experiments show that our model achieves the first success of reversible speech translation with significant improvements of ASR-BLEU scores compared with a list of state-of-the-art baselines.
We present a scalable method to produce high quality emphasis for text-to-speech (TTS) that does not require recordings or annotations. Many TTS models include a phoneme duration model. A simple but effective method to achieve emphasized speech consists in increasing the predicted duration of the emphasised word. We show that this is significantly better than spectrogram modification techniques improving naturalness by $7.3\%$ and correct testers' identification of the emphasized word in a sentence by $40\%$ on a reference female en-US voice. We show that this technique significantly closes the gap to methods that require explicit recordings. The method proved to be scalable and preferred in all four languages tested (English, Spanish, Italian, German), for different voices and multiple speaking styles.
The goal of universal audio representation learning is to obtain foundational models that can be used for a variety of downstream tasks involving speech, music or environmental sounds. To approach this problem, methods inspired by self-supervised models from NLP, like BERT, are often used and adapted to audio. These models rely on the discrete nature of text, hence adopting this type of approach for audio processing requires either a change in the learning objective or mapping the audio signal to a set of discrete classes. In this work, we explore the use of EnCodec, a neural audio codec, to generate discrete targets for learning an universal audio model based on a masked autoencoder (MAE). We evaluate this approach, which we call EncodecMAE, on a wide range of audio tasks spanning speech, music and environmental sounds, achieving performances comparable or better than leading audio representation models.
Multilingual speech recognition for both monolingual and code-switching speech is a challenging task. Recently, based on the Mixture of Experts (MoE), many works have made good progress in multilingual and code-switching ASR, but present huge computational complexity with the increase of supported languages. In this work, we propose a computation-efficient network named Language-Routing Mixture of Experts (LR-MoE) for multilingual and code-switching ASR. LR-MoE extracts language-specific representations through the Mixture of Language Experts (MLE), which is guided to learn by a frame-wise language routing mechanism. The weight-shared frame-level language identification (LID) network is jointly trained as the shared pre-router of each MoE layer. Experiments show that the proposed method significantly improves multilingual and code-switching speech recognition performances over baseline with comparable computational efficiency.
Non-autoregressive (NAR) modeling has gained significant interest in speech processing since these models achieve dramatically lower inference time than autoregressive (AR) models while also achieving good transcription accuracy. Since NAR automatic speech recognition (ASR) models must wait for the completion of the entire utterance before processing, some works explore streaming NAR models based on blockwise attention for low-latency applications. However, streaming NAR models significantly lag in accuracy compared to streaming AR and non-streaming NAR models. To address this, we propose a streaming "semi-autoregressive" ASR model that incorporates the labels emitted in previous blocks as additional context using a Language Model (LM) subnetwork. We also introduce a novel greedy decoding algorithm that addresses insertion and deletion errors near block boundaries while not significantly increasing the inference time. Experiments show that our method outperforms the existing streaming NAR model by 19% relative on Tedlium2, 16%/8% on Librispeech-100 clean/other test sets, and 19%/8% on the Switchboard(SWB) / Callhome(CH) test sets. It also reduced the accuracy gap with streaming AR and non-streaming NAR models while achieving 2.5x lower latency. We also demonstrate that our approach can effectively utilize external text data to pre-train the LM subnetwork to further improve streaming ASR accuracy.
Police body-worn cameras have the potential to improve accountability and transparency in policing. Yet in practice, they result in millions of hours of footage that is never reviewed. We investigate the potential of large pre-trained speech models for facilitating reviews, focusing on ASR and officer speech detection in footage from traffic stops. Our proposed pipeline includes training data alignment and filtering, fine-tuning with resource constraints, and combining officer speech detection with ASR for a fully automated approach. We find that (1) fine-tuning strongly improves ASR performance on officer speech (WER=12-13%), (2) ASR on officer speech is much more accurate than on community member speech (WER=43.55-49.07%), (3) domain-specific tasks like officer speech detection and diarization remain challenging. Our work offers practical applications for reviewing body camera footage and general guidance for adapting pre-trained speech models to noisy multi-speaker domains.
Speaker-attributed automatic speech recognition (SA-ASR) improves the accuracy and applicability of multi-speaker ASR systems in real-world scenarios by assigning speaker labels to transcribed texts. However, SA-ASR poses unique challenges due to factors such as speaker overlap, speaker variability, background noise, and reverberation. In this study, we propose PP-MeT system, a real-world personalized prompt based meeting transcription system, which consists of a clustering system, target-speaker voice activity detection (TS-VAD), and TS-ASR. Specifically, we utilize target-speaker embedding as a prompt in TS-VAD and TS-ASR modules in our proposed system. In constrast with previous system, we fully leverage pre-trained models for system initialization, thereby bestowing our approach with heightened generalizability and precision. Experiments on M2MeT2.0 Challenge dataset show that our system achieves a cp-CER of 11.27% on the test set, ranking first in both fixed and open training conditions.
Recently, neural networks have shown impressive progress across diverse fields, with speech processing being no exception. However, recent breakthroughs in this area require extensive offline training using large datasets and tremendous computing resources. Unfortunately, these models struggle to retain their previously acquired knowledge when learning new tasks continually, and retraining from scratch is almost always impractical. In this paper, we investigate the problem of learning sequence-to-sequence models for spoken language understanding in a class-incremental learning (CIL) setting and we propose COCONUT, a CIL method that relies on the combination of experience replay and contrastive learning. Through a modified version of the standard supervised contrastive loss applied only to the rehearsal samples, COCONUT preserves the learned representations by pulling closer samples from the same class and pushing away the others. Moreover, we leverage a multimodal contrastive loss that helps the model learn more discriminative representations of the new data by aligning audio and text features. We also investigate different contrastive designs to combine the strengths of the contrastive loss with teacher-student architectures used for distillation. Experiments on two established SLU datasets reveal the effectiveness of our proposed approach and significant improvements over the baselines. We also show that COCONUT can be combined with methods that operate on the decoder side of the model, resulting in further metrics improvements.
Musical improvisation, much like spontaneous speech, reveals intricate facets of the improviser's state of mind and emotional character. However, the specific musical components that reveal such individuality remain largely unexplored. Within the framework of brain's statistical learning and predictive processing, this study examined the temporal dynamics of uncertainty and surprise (prediction error) in a piece of musical improvisation. This study employed the HBSL model to analyze a corpus of 456 Jazz improvisations, spanning 1905 to 2009, from 78 distinct Jazz musicians. The results indicated distinctive temporal patterns of surprise and uncertainty, especially in pitch and pitch-rhythm sequences, revealing era-specific features from the early 20th to the 21st centuries. Conversely, rhythm sequences exhibited a consistent degree of uncertainty across eras. Further, the acoustic properties remain unchanged across different periods. These findings highlight the importance of how temporal dynamics of surprise and uncertainty in improvisational music change over periods, profoundly influencing the distinctive methodologies artists adopt for improvisation in each era. Further, it is suggested that the development of improvisational music can be attributed to the brain's adaptive statistical learning mechanisms, which constantly refine internal models to mirror the cultural and emotional nuances of their respective epochs. This study unravels the evolutionary trajectory of improvisational music and highlights the nuanced shifts artists employ to resonate with the cultural and emotional landscapes of their times.