YM2413-MDB: A Multi-Instrumental FM Video Game Music Dataset with Emotion Annotations

Existing multi-instrumental datasets tend to be biased toward pop and classical music. In addition, they generally lack high-level annotations such as emotion tags. In this paper, we propose YM2413-MDB, an 80s FM video game music dataset with multi-label emotion annotations. It includes 669 audio and MIDI files of music from Sega and MSX PC games in the 80s using YM2413, a programmable sound generator based on FM. The collected game music is arranged with a subset of 15 monophonic instruments and one drum instrument. They were converted from binary commands of the YM2413 sound chip. Each song was labeled with 19 emotion tags by two annotators and validated by three verifiers to obtain refined tags. We provide the baseline models and results for emotion recognition and emotion-conditioned symbolic music generation using YM2413-MDB.

Multitrack Music Transformer: Learning Long-Term Dependencies in Music with Diverse Instruments

Existing approaches for generating multitrack music with transformer models have been limited to either a small set of instruments or short music segments. This is partly due to the memory requirements of the lengthy input sequences necessitated by existing representations for multitrack music. In this work, we propose a compact representation that allows a diverse set of instruments while keeping a short sequence length. Using our proposed representation, we present the Multitrack Music Transformer (MTMT) for learning long-term dependencies in multitrack music. In a subjective listening test, our proposed model achieves competitive quality on unconditioned generation against two baseline models. We also show that our proposed model can generate samples that are twice as long as those produced by the baseline models, and, further, can do so in half the inference time. Moreover, we propose a new measure for analyzing musical self-attentions and show that the trained model learns to pay less attention to notes that form a dissonant interval with the current note, yet attending more to notes that are 4N beats away from current. Finally, our findings provide a novel foundation for future work exploring longer-form multitrack music generation and improving self-attentions for music. All source code and audio samples can be found at https://salu133445.github.io/mtmt/ .

Music-robust Automatic Lyrics Transcription of Polyphonic Music

Lyrics transcription of polyphonic music is challenging because singing vocals are corrupted by the background music. To improve the robustness of lyrics transcription to the background music, we propose a strategy of combining the features that emphasize the singing vocals, i.e. music-removed features that represent singing vocal extracted features, and the features that capture the singing vocals as well as the background music, i.e. music-present features. We show that these two sets of features complement each other, and their combination performs better than when they are used alone, thus improving the robustness of the acoustic model to the background music. Furthermore, language model interpolation between a general-purpose language model and an in-domain lyrics-specific language model provides further improvement in transcription results. Our experiments show that our proposed strategy outperforms the existing lyrics transcription systems for polyphonic music. Moreover, we find that our proposed music-robust features specially improve the lyrics transcription performance in metal genre of songs, where the background music is loud and dominant.

EDGE: Editable Dance Generation From Music

Dance is an important human art form, but creating new dances can be difficult and time-consuming. In this work, we introduce Editable Dance GEneration (EDGE), a state-of-the-art method for editable dance generation that is capable of creating realistic, physically-plausible dances while remaining faithful to the input music. EDGE uses a transformer-based diffusion model paired with Jukebox, a strong music feature extractor, and confers powerful editing capabilities well-suited to dance, including joint-wise conditioning, and in-betweening. We introduce a new metric for physical plausibility, and evaluate dance quality generated by our method extensively through (1) multiple quantitative metrics on physical plausibility, beat alignment, and diversity benchmarks, and more importantly, (2) a large-scale user study, demonstrating a significant improvement over previous state-of-the-art methods. Qualitative samples from our model can be found at our website.

High-Fidelity Audio Compression with Improved RVQGAN

Language models have been successfully used to model natural signals, such as images, speech, and music. A key component of these models is a high quality neural compression model that can compress high-dimensional natural signals into lower dimensional discrete tokens. To that end, we introduce a high-fidelity universal neural audio compression algorithm that achieves ~90x compression of 44.1 KHz audio into tokens at just 8kbps bandwidth. We achieve this by combining advances in high-fidelity audio generation with better vector quantization techniques from the image domain, along with improved adversarial and reconstruction losses. We compress all domains (speech, environment, music, etc.) with a single universal model, making it widely applicable to generative modeling of all audio. We compare with competing audio compression algorithms, and find our method outperforms them significantly. We provide thorough ablations for every design choice, as well as open-source code and trained model weights. We hope our work can lay the foundation for the next generation of high-fidelity audio modeling.

Inaudible Adversarial Perturbation: Manipulating the Recognition of User Speech in Real Time

Automatic speech recognition (ASR) systems have been shown to be vulnerable to adversarial examples (AEs). Recent success all assumes that users will not notice or disrupt the attack process despite the existence of music/noise-like sounds and spontaneous responses from voice assistants. Nonetheless, in practical user-present scenarios, user awareness may nullify existing attack attempts that launch unexpected sounds or ASR usage. In this paper, we seek to bridge the gap in existing research and extend the attack to user-present scenarios. We propose VRIFLE, an inaudible adversarial perturbation (IAP) attack via ultrasound delivery that can manipulate ASRs as a user speaks. The inherent differences between audible sounds and ultrasounds make IAP delivery face unprecedented challenges such as distortion, noise, and instability. In this regard, we design a novel ultrasonic transformation model to enhance the crafted perturbation to be physically effective and even survive long-distance delivery. We further enable VRIFLE's robustness by adopting a series of augmentation on user and real-world variations during the generation process. In this way, VRIFLE features an effective real-time manipulation of the ASR output from different distances and under any speech of users, with an alter-and-mute strategy that suppresses the impact of user disruption. Our extensive experiments in both digital and physical worlds verify VRIFLE's effectiveness under various configurations, robustness against six kinds of defenses, and universality in a targeted manner. We also show that VRIFLE can be delivered with a portable attack device and even everyday-life loudspeakers.

MAP-Music2Vec: A Simple and Effective Baseline for Self-Supervised Music Audio Representation Learning

The deep learning community has witnessed an exponentially growing interest in self-supervised learning (SSL). However, it still remains unexplored how to build a framework for learning useful representations of raw music waveforms in a self-supervised manner. In this work, we design Music2Vec, a framework exploring different SSL algorithmic components and tricks for music audio recordings. Our model achieves comparable results to the state-of-the-art (SOTA) music SSL model Jukebox, despite being significantly smaller with less than 2% of parameters of the latter. The model will be released on Huggingface(Please refer to: https://huggingface.co/m-a-p/music2vec-v1)

musicaiz: A Python Library for Symbolic Music Generation, Analysis and Visualization

In this article, we present musicaiz, an object-oriented library for analyzing, generating and evaluating symbolic music. The submodules of the package allow the user to create symbolic music data from scratch, build algorithms to analyze symbolic music, encode MIDI data as tokens to train deep learning sequence models, modify existing music data and evaluate music generation systems. The evaluation submodule builds on previous work to objectively measure music generation systems and to be able to reproduce the results of music generation models. The library is publicly available online. We encourage the community to contribute and provide feedback.

Inaudible Adversarial Perturbation: Manipulating the Recognition of User Speech in Real Tim

Automatic speech recognition (ASR) systems have been shown to be vulnerable to adversarial examples (AEs). Recent success all assumes that users will not notice or disrupt the attack process despite the existence of music/noise-like sounds and spontaneous responses from voice assistants. Nonetheless, in practical user-present scenarios, user awareness may nullify existing attack attempts that launch unexpected sounds or ASR usage. In this paper, we seek to bridge the gap in existing research and extend the attack to user-present scenarios. We propose VRIFLE, an inaudible adversarial perturbation (IAP) attack via ultrasound delivery that can manipulate ASRs as a user speaks. The inherent differences between audible sounds and ultrasounds make IAP delivery face unprecedented challenges such as distortion, noise, and instability. In this regard, we design a novel ultrasonic transformation model to enhance the crafted perturbation to be physically effective and even survive long-distance delivery. We further enable VRIFLE's robustness by adopting a series of augmentation on user and real-world variations during the generation process. In this way, VRIFLE features an effective real-time manipulation of the ASR output from different distances and under any speech of users, with an alter-and-mute strategy that suppresses the impact of user disruption. Our extensive experiments in both digital and physical worlds verify VRIFLE's effectiveness under various configurations, robustness against six kinds of defenses, and universality in a targeted manner. We also show that VRIFLE can be delivered with a portable attack device and even everyday-life loudspeakers.

Whisper-AT: Noise-Robust Automatic Speech Recognizers are Also Strong General Audio Event Taggers

In this paper, we focus on Whisper, a recent automatic speech recognition model trained with a massive 680k hour labeled speech corpus recorded in diverse conditions. We first show an interesting finding that while Whisper is very robust against real-world background sounds (e.g., music), its audio representation is actually not noise-invariant, but is instead highly correlated to non-speech sounds, indicating that Whisper recognizes speech conditioned on the noise type. With this finding, we build a unified audio tagging and speech recognition model Whisper-AT by freezing the backbone of Whisper, and training a lightweight audio tagging model on top of it. With <1% extra computational cost, Whisper-AT can recognize audio events, in addition to spoken text, in a single forward pass.