Self-supervised learning has attracted plenty of recent research interest. However, most works are typically unimodal and there has been limited work that studies the interaction between audio and visual modalities for self-supervised learning. This work (1) investigates visual self-supervision via face reconstruction to guide the learning of audio representations; (2) proposes two audio-only self-supervision approaches for speech representation learning; (3) shows that a multi-task combination of the proposed visual and audio self-supervision is beneficial for learning richer features that are more robust in noisy conditions; (4) shows that self-supervised pretraining leads to a superior weight initialization, which is especially useful to prevent overfitting and lead to faster model convergence on smaller sized datasets. We evaluate our audio representations for emotion and speech recognition, achieving state of the art performance for both problems. Our results demonstrate the potential of visual self-supervision for audio feature learning and suggest that joint visual and audio self-supervision leads to more informative speech representations.
Self supervised representation learning has recently attracted a lot of research interest for both the audio and visual modalities. However, most works typically focus on a particular modality or feature alone and there has been very limited work that studies the interaction between the two modalities for learning self supervised representations. We propose a framework for learning audio representations guided by the visual modality in the context of audiovisual speech. We employ a generative audio-to-video training scheme in which we animate a still image corresponding to a given audio clip and optimize the generated video to be as close as possible to the real video of the speech segment. Through this process, the audio encoder network learns useful speech representations that we evaluate on emotion recognition and speech recognition. We achieve state of the art results for emotion recognition and competitive results for speech recognition. This demonstrates the potential of visual supervision for learning audio representations as a novel way for self-supervised learning which has not been explored in the past. The proposed unsupervised audio features can leverage a virtually unlimited amount of training data of unlabelled audiovisual speech and have a large number of potentially promising applications.
Lip-reading has attracted a lot of research attention lately thanks to advances in deep learning. The current state-of-the-art model for recognition of isolated words in-the-wild consists of a residual network and Bidirectional Gated Recurrent Unit (BGRU) layers. In this work, we address the limitations of this model and we propose changes which further improve its performance. Firstly, the BGRU layers are replaced with Temporal Convolutional Networks (TCN). Secondly, we greatly simplify the training procedure, which allows us to train the model in one single stage. Thirdly, we show that the current state-of-the-art methodology produces models that do not generalize well to variations on the sequence length, and we addresses this issue by proposing a variable-length augmentation. We present results on the largest publicly-available datasets for isolated word recognition in English and Mandarin, LRW and LRW1000, respectively. Our proposed model results in an absolute improvement of 1.2% and 3.2%, respectively, in these datasets which is the new state-of-the-art performance.
Adversarial attacks pose a threat to deep learning models. However, research on adversarial detection methods, especially in the multi-modal domain, is very limited. In this work, we propose an efficient and straightforward detection method based on the temporal correlation between audio and video streams. The main idea is that the correlation between audio and video in adversarial examples will be lower than benign examples due to added adversarial noise. We use the synchronisation confidence score as a proxy for audio-visual correlation and based on it we can detect adversarial attacks. To the best of our knowledge, this is the first work on detection of adversarial attacks on audio-visual speech recognition models. We apply recent adversarial attacks on two audio-visual speech recognition models trained on the GRID and LRW datasets. The experimental results demonstrated that the proposed approach is an effective way for detecting such attacks.
Speech-driven facial animation involves using a speech signal to generate realistic videos of talking faces. Recent deep learning approaches to facial synthesis rely on extracting low-dimensional representations and concatenating them, followed by a decoding step of the concatenated vector. This accounts for only first-order interactions of the features and ignores higher-order interactions. In this paper we propose a polynomial fusion layer that models the joint representation of the encodings by a higher-order polynomial, with the parameters modelled by a tensor decomposition. We demonstrate the the suitability of this approach through experiments on generated videos evaluated on a range of metrics on video quality, audiovisual synchronisation and generation of blinks.
Lip-reading models have been significantly improved recently thanks to powerful deep learning architectures. However, most works focused on frontal or near frontal views of the mouth. As a consequence, lip-reading performance seriously deteriorates in non-frontal mouth views. In this work, we present a framework for training pose-invariant lip-reading models on synthetic data instead of collecting and annotating non-frontal data which is costly and tedious. The proposed model significantly outperforms previous approaches on non-frontal views while retaining the superior performance on frontal and near frontal mouth views. Specifically, we propose to use a 3D Morphable Model (3DMM) to augment LRW, an existing large-scale but mostly frontal dataset, by generating synthetic facial data in arbitrary poses. The newly derived dataset, is used to train a state-of-the-art neural network for lip-reading. We conducted a cross-database experiment for isolated word recognition on the LRS2 dataset, and reported an absolute improvement of 2.55%. The benefit of the proposed approach becomes clearer in extreme poses where an absolute improvement of up to 20.64% over the baseline is achieved.
Several audio-visual speech recognition models have been recently proposed which aim to improve the robustness over audio-only models in the presence of noise. However, almost all of them ignore the impact of the Lombard effect, i.e., the change in speaking style in noisy environments which aims to make speech more intelligible and affects both the acoustic characteristics of speech and the lip movements. In this paper, we investigate the impact of the Lombard effect in audio-visual speech recognition. To the best of our knowledge, this is the first work which does so using end-to-end deep architectures and presents results on unseen speakers. Our results show that properly modelling Lombard speech is always beneficial. Even if a relatively small amount of Lombard speech is added to the training set then the performance in a real scenario, where noisy Lombard speech is present, can be significantly improved. We also show that the standard approach followed in the literature, where a model is trained and tested on noisy plain speech, provides a correct estimate of the video-only performance and slightly underestimates the audio-visual performance. In case of audio-only approaches, performance is overestimated for SNRs higher than -3dB and underestimated for lower SNRs.
Speech is a means of communication which relies on both audio and visual information. The absence of one modality can often lead to confusion or misinterpretation of information. In this paper we present an end-to-end temporal model capable of directly synthesising audio from silent video, without needing to transform to-and-from intermediate features. Our proposed approach, based on GANs is capable of producing natural sounding, intelligible speech which is synchronised with the video. The performance of our model is evaluated on the GRID dataset for both speaker dependent and speaker independent scenarios. To the best of our knowledge this is the first method that maps video directly to raw audio and the first to produce intelligible speech when tested on previously unseen speakers. We evaluate the synthesised audio not only based on the sound quality but also on the accuracy of the spoken words.