We propose PARASOL, a multi-modal synthesis model that enables disentangled, parametric control of the visual style of the image by jointly conditioning synthesis on both content and a fine-grained visual style embedding. We train a latent diffusion model (LDM) using specific losses for each modality and adapt the classifier-free guidance for encouraging disentangled control over independent content and style modalities at inference time. We leverage auxiliary semantic and style-based search to create training triplets for supervision of the LDM, ensuring complementarity of content and style cues. PARASOL shows promise for enabling nuanced control over visual style in diffusion models for image creation and stylization, as well as generative search where text-based search results may be adapted to more closely match user intent by interpolating both content and style descriptors.
We propose VADER, a spatio-temporal matching, alignment, and change summarization method to help fight misinformation spread via manipulated videos. VADER matches and coarsely aligns partial video fragments to candidate videos using a robust visual descriptor and scalable search over adaptively chunked video content. A transformer-based alignment module then refines the temporal localization of the query fragment within the matched video. A space-time comparator module identifies regions of manipulation between aligned content, invariant to any changes due to any residual temporal misalignments or artifacts arising from non-editorial changes of the content. Robustly matching video to a trusted source enables conclusions to be drawn on video provenance, enabling informed trust decisions on content encountered.
We propose a self-supervised learning approach for videos that learns representations of both the RGB frames and the accompanying audio without human supervision. In contrast to images that capture the static scene appearance, videos also contain sound and temporal scene dynamics. To leverage the temporal and aural dimension inherent to videos, our method extends temporal self-supervision to the audio-visual setting and integrates it with multi-modal contrastive objectives. As temporal self-supervision, we pose playback speed and direction recognition in both modalities and propose intra- and inter-modal temporal ordering tasks. Furthermore, we design a novel contrastive objective in which the usual pairs are supplemented with additional sample-dependent positives and negatives sampled from the evolving feature space. In our model, we apply such losses among video clips and between videos and their temporally corresponding audio clips. We verify our model design in extensive ablation experiments and evaluate the video and audio representations in transfer experiments to action recognition and retrieval on UCF101 and HMBD51, audio classification on ESC50, and robust video fingerprinting on VGG-Sound, with state-of-the-art results.
We propose a new framework for conditional image synthesis from semantic layouts of any precision levels, ranging from pure text to a 2D semantic canvas with precise shapes. More specifically, the input layout consists of one or more semantic regions with free-form text descriptions and adjustable precision levels, which can be set based on the desired controllability. The framework naturally reduces to text-to-image (T2I) at the lowest level with no shape information, and it becomes segmentation-to-image (S2I) at the highest level. By supporting the levels in-between, our framework is flexible in assisting users of different drawing expertise and at different stages of their creative workflow. We introduce several novel techniques to address the challenges coming with this new setup, including a pipeline for collecting training data; a precision-encoded mask pyramid and a text feature map representation to jointly encode precision level, semantics, and composition information; and a multi-scale guided diffusion model to synthesize images. To evaluate the proposed method, we collect a test dataset containing user-drawn layouts with diverse scenes and styles. Experimental results show that the proposed method can generate high-quality images following the layout at given precision, and compares favorably against existing methods. Project page \url{https://zengxianyu.github.io/scenec/}
We develop an approach for text-to-image generation that embraces additional retrieval images, driven by a combination of implicit visual guidance loss and generative objectives. Unlike most existing text-to-image generation methods which merely take the text as input, our method dynamically feeds cross-modal search results into a unified training stage, hence improving the quality, controllability and diversity of generation results. We propose a novel hypernetwork modulated visual-text encoding scheme to predict the weight update of the encoding layer, enabling effective transfer from visual information (e.g. layout, content) into the corresponding latent domain. Experimental results show that our model guided with additional retrieval visual data outperforms existing GAN-based models. On COCO dataset, we achieve better FID of $9.13$ with up to $3.5 \times$ fewer generator parameters, compared with the state-of-the-art method.
We present HyperNST; a neural style transfer (NST) technique for the artistic stylization of images, based on Hyper-networks and the StyleGAN2 architecture. Our contribution is a novel method for inducing style transfer parameterized by a metric space, pre-trained for style-based visual search (SBVS). We show for the first time that such space may be used to drive NST, enabling the application and interpolation of styles from an SBVS system. The technical contribution is a hyper-network that predicts weight updates to a StyleGAN2 pre-trained over a diverse gamut of artistic content (portraits), tailoring the style parameterization on a per-region basis using a semantic map of the facial regions. We show HyperNST to exceed state of the art in content preservation for our stylized content while retaining good style transfer performance.
As tools for content editing mature, and artificial intelligence (AI) based algorithms for synthesizing media grow, the presence of manipulated content across online media is increasing. This phenomenon causes the spread of misinformation, creating a greater need to distinguish between "real" and "manipulated" content. To this end, we present VideoSham, a dataset consisting of 826 videos (413 real and 413 manipulated). Many of the existing deepfake datasets focus exclusively on two types of facial manipulations -- swapping with a different subject's face or altering the existing face. VideoSham, on the other hand, contains more diverse, context-rich, and human-centric, high-resolution videos manipulated using a combination of 6 different spatial and temporal attacks. Our analysis shows that state-of-the-art manipulation detection algorithms only work for a few specific attacks and do not scale well on VideoSham. We performed a user study on Amazon Mechanical Turk with 1200 participants to understand if they can differentiate between the real and manipulated videos in VideoSham. Finally, we dig deeper into the strengths and weaknesses of performances by humans and SOTA-algorithms to identify gaps that need to be filled with better AI algorithms.
Rapid advances in Generative Adversarial Networks (GANs) raise new challenges for image attribution; detecting whether an image is synthetic and, if so, determining which GAN architecture created it. Uniquely, we present a solution to this task capable of 1) matching images invariant to their semantic content; 2) robust to benign transformations (changes in quality, resolution, shape, etc.) commonly encountered as images are re-shared online. In order to formalize our research, a challenging benchmark, Attribution88, is collected for robust and practical image attribution. We then propose RepMix, our GAN fingerprinting technique based on representation mixing and a novel loss. We validate its capability of tracing the provenance of GAN-generated images invariant to the semantic content of the image and also robust to perturbations. We show our approach improves significantly from existing GAN fingerprinting works on both semantic generalization and robustness. Data and code are available at https://github.com/TuBui/image_attribution.